MELODYPEDIA

Istanpitta and others In a 14th-century Italian manuscript in the British Library (Add. 29987), folios 55v-58r and 59v-63v, contain 15 monophonic pieces of music, the first eight of which are labeled istanpitta. Of the next seven pieces, 4 are called saltarello, one trotto, one Lamento di Tristano, and the final one is labeled La Manfredina. These are the only known examples of instrumental dance music from Italy in the Middle Ages and all of them have similarities to earlier French dance pieces called estampie.[14][15] There is divided opinion on the question of whether the estampie / istanpitta was actually a dance or simply a musical form. Curt Sachs in his World History of the Dance[16] believes the strong rhythm of the music, the name, which he derives from a term "to stamp", and literary references point to the estampie definitely being a dance. Vellekoop, on the other hand, looks at the evidence and concludes that estampie was simply a name for early instrumental music.[15] The other seven dances in the manuscript have the same general musical structure as those labeled "istanpitta" but are simpler and probably more suitable for dancing.[14] Saltarello is a dance name found in later centuries as well but the later examples may not refer to the same dance as these 14th-century pieces.[17] The last two dances in the manuscript, Lamento di Tristano and La Manfredina are notable as being pairs of related dances, a scheme which became common in Renaissance dance.